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Artist/photographer and graphic designer, Angela Grauerholz has been Full professor at the École de design at the Université du Québec à Montréal until 2017, where she has taught typography and photography since 1988. From 2008 to 2012 she directed the Centre de design at UQAM. Her photographic work has been exhibited and collected widely (Canada, USA, Europe), and she has participated in many international events of distinction including the Sydney Biennale (1990), documenta IX (1992), the Carnegie International (1995) and the Montréal Biennale (2004). In 2006, she was awarded Québec’s Prix Paul-Émile Borduas for her accomplishments in the arts, in 2014 she received the Canada Council’s Governor General Award in Visual and Media Arts, and in 2015 the prestigious Scotiabank Photography Award. Along with her purely photographic work, she has worked on different types of photographic archives, addressing notions of memory, of space and place, as well photographic representation.

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Artiste photographe et designer graphique de formation, Angela Grauerholz était professeure titulaire à l’École de design de l’Université du Québec à Montréal jusqu’en 2017, où elle enseignait la typographie et la photographie depuis 1988. De 2008 à 2012, elle a dirigé le Centre de design de l’Université du Québec à Montréal. Elle a également une pratique en art contemporain et elle a participé à des expositions tant nationales qu’internationales. Elle a pris part à de nombreuses manifestations d’envergure internationale, dont la Biennale de Sydney, en Australie (1990), la documenta IX de Cassel, en Allemagne (1992), et le Carnegie International de Pittsburgh, aux États-Unis (1995), et la Biennale de Montréal (2004). Récipiendaire de plusieurs prix en design graphique, elle est lauréate du Prix Paul-Émile Borduas en 2006  suivi en 2014 par le Prix du Gouverneur Général en arts visuels et en arts médiatiques et du prestigieux Prix de photographie Banque Scotia en 2015. En plus de son travail photographique, elle s’intéresse depuis le début des années 1990 aux archives photographiques. Elle y voit un processus où les notions de mémoire, d’espace et de lieu interviennent.

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